You're taking the easy way out when you keep wearing diamond studs.
Of course Angleina Jolie is the exception in regards to me being bored with diamond studs, but as star after star walked the red carpet in the safe diamond studs, I couldn't help but think about their stylists whose servies are quite costly. Are these folks taking the easy way out? Getting lazy? Don't understand the choices in jewelry they have? B.I.N.G.O. Learn about jewelry the same way you learn about fashion! Please.
Many of these women wore the exact same jewelry choices this year as they did last year. If you don't own your own, fabulous jewelry - there is no excuse for that. No matter how beautiful you think you looked, I was bored with the nude dress, stud earrings, no lipstick and a little art-deco bracelets. Are you kidding me? It was a sea of beige! When I finally saw Jane Fonda walk out to present, in what I assume was her own jewelry, I was so happy. Stunning dress, diamond earrings, diamond necklace along with a beautiful bracelet and ring. Not too much - and certainly not boring.
I'm done.
Shine On You Crazy Diamond
And I Wish I Was The Major Retailer Picking Them Up....
Last week I had a the opportunity to meet with the two young women behind the Jemma Wynne brand - Jenny & Stephanie. With Jen about ready to give birth, we sat down in their Manhattan studio and chatted about why they started their business, how far they've come, and where they'd like to go. With independent retailers all over the country lining up to buy into the brand, and most recently London Jewelers - a major retailer is what's next on the agenda for JW. Honestly, if I had the power to make things happen in one of these corporate powerhouses, I'd be jumping on this brand and partnering with them for world domination! These two young, beautiful, bright and hard working women have what it takes in aces to make a successful, and highly lucrative line of jewelry work inside a major retailer. Their jewelry speaks to every woman, and yet still maintains its individuality inside of a price point that makes sense. The craftsmanship is impeccable, and the use of color, metals and silhouettes are fantastic. I work with designers and companies all over the country, inside of the larger retailers, and I am certain that the clients in these venues will respond with the great enthusiasm that they've been responding at the independent stores and smaller chains. I look forward to seeing who is smart enough to get on this train.
Stephanie scolded me for slacking on my blogging, so I thought this would be the perfect opportunity to share my beautiful afternoon at Jemma Wynne with all of you. Thanks Stephanie, I need someone to bust my chops about not writing enough!
For more information about where you can find Jemma Wynne, visit their website at:
http://www.jemmawynne.com
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Up and coming artists make a goodie bag great!
This year while preparing goodie bags for the editor's event for The Couture Show, the most elite jewelry show held during Las Vegas Jewelry Market Week, we decided to find wonderful new artists to bring a fresh approach to our gift bags. Held on the 60th floor of The Tower Suites in The Wynn Hotel, Las Vegas, the bags themselves were rather "green", and well received. Not only did we have a Couture water canteen and Couture eye gel masks, but we included cards from Charlotte born, but New York City living artist Laura Loving, beautiful handmade fabric scarves from the gem of Sierra Leone by way of Dallas - Elizabeth Anyaa, and two young business entrepreneurs from Florida, ceramicists Nichole Moranda, known for her ceramic plumeria flower, grape leaf and bead jewelry, as well as her murals, watercolors and sculptures - and Jamie Lovern of Lolablue and her natural beauty products. The pairing of these two woman made for the most wonderful packaging of a ceramic plumeria flower diffuser, handmade and fired, which the Lolablue natural essential oils are dropped onto, and delicious (and needed) lip balm. Elizabeth Anyaa specifically spent weeks creating the fabrics just for this event - all while preparing for her first entree into Neiman Marcus, and Laura generously shared her colorful cards, beautifully wrapped up and tied with a bow.
The Couture Show was a great success, and it's the editors reporting on what's trending, and what they liked best, that helps to get the word out. Giving these folks a little respite in The Tower Suites with food and libation - manicures and massages is just the shows way of saying Thank You. The beautiful gifts made possible by the lovely ladies mentioned above is simply the icing on the cake! Thanks gals!
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What Happens In Vegas May Not Stay There
Every year there's a pilgrimage to Las Vegas for the many jewelry shows that allow the folks in the jewelry business to "show their stuff". Some shows seem like a bazaar you might find while visiting Morocco - fun, but filled with people trying to get your attention as you walk by. Other shows might place "The Beautiful Diamond House" next to 'World of Clasps" - if you will. Ultimately, there is no jewelry show like The Couture Show. Not only do they vet the finest in the jewelry industry to participate - they only invite the most elite retailers to attend - making the experience one of true luxury, and ultimate pampering.
When I return from Las Vegas I'll be posting pieces that I've found from all of the shows, but the bulk of my report will come from The Couture Show. I'll see you in the press room!
Shine On You Crazy Diamond
I'm not one of those people that buy into the "Anna Wintour is the devil" theories. I believe she is a focused, brilliant, intuitive, fashion icon, and a genius businesswoman. Since I don't know her personally, I cannot comment on her character. Publicly, she he does seems cold at times, but I've also witnessed great warmth, generosity of spirit and personal restraint too. That being said, I'm here to address Vogue, Anna Wintour and jewelry.
Vogue, on occasion, has published great stories about important, collectable jewelry. Overall, its been my personal experience that no one at that publication knows anything about jewelry, unless it's "fashion forward". In my jewelry world, that's a rather major faux paux. It shows your limited understanding of what's really going on, and makes Vogue the equivilent of the JC Penny's catalogue for fashion. That's how wrong their presentation of jewelry has been. Yes, they've done the right story about an exhibition here or there, or shown a big necklace - but they don't help the public understand how important it is to daily wear, and they downplay its importance even more, evidenced by how their editors handle the jewelry as well. Until recently, I cannot tell you how many times I've been involved with a project where Vogue has asked for a piece, only to treat it terribly. The entitled attitude from them never helps build your confidence in them changing their tune either. This is something Town & Country, W, WWD, Departures or Robb Report would never do. Their editors actually understand jewelry. Vogue - not so much. But recently the tides seem to be changing.
Something is different. I'm seeing that the editors are presenting more jewelry, and featuring it more appropriately. I don't think they'll ever help jewelry sales the way other publications do, but they are certainly taking a more focused interest in it. Because of this focus (or a very pissed off insurance department), the jewelry is being handled better. Maybe it's because Ms. Wintour seems to be more interested as well. Who really knows, but for the past few years she's been presenting this great double and triple strand of color, Georgian jewelry (either real or inspired), and she looks amazing! Sales of necklaces like these have shot through the roof, making us all know that if Queen Wintour takes an interest in jewelry, real jewelry, so will the world! For me, it's one of the greatest looks around for a woman of any age, and I doubt if I'll ever tire of it. Day or night, even a single strand of color makes a statement. It's like you care enough to make sure that you don't leave the house without telling the world who you are. Obviously, AW does this with every step she takes, but you out there, you women who won't step out of your comfort zone - TAKE A RISK! If a real piece of Georgian jewelry is beyond what you can currently afford, check out something by Swarovski. Websites like ebay and Portero may offer something for you as well. Just think of your LBD (little black dress) with a few pops of color from your necklaces and you're done. For those that can afford, while in NYC visit A La Vielle Russie or Stephen Russell to find the real deal.
I want to be clear, Anna Wintour has worn jewelry before - big pearls in the 90's and giant "fashion" necklaces too. Hey, maybe one of you will get back to me and prove me wrong - that would be fantastic! All I can report is my own experience. I'm in it first hand, and I'm excited about what I see. Others have told me not to get to hopeful - Vogue is Vogue and always will be. To the naysayers I say - a girl can dream.
As always, thank you Anne Wintour.
Shine On You Crazy Diamond




I am at a loss for words. The world has lost a true dame.
Shine On You Cray Diamond
“In real life I don’t like flowers. I can’t get attached to something that dies so quickly, so I make flowers that live forever.” Victoire de Castellane
I am properly obsessed with Victoire de Castellane, and when the news broke that she would unveil her precious jewels-cum-decorative objects, Fleurs d’excès (the Flowers of Excess), at Gagosian Gallery in Paris, I was exuberant.
Tina Isaac wrote of the pieces on exhibition...
“they have all the psychotropic vividness of Baudelaire’s famous Fleurs du Mal, and are in fact inspired by altered states...”
I would have to agree with Ms. Isaac, and add - the pieces are beyond being titled genius, they are divinely inspired. More than altered states, they are kissed by the gods themselves. I don’t know if anyone today moves me as passionately as this Parisian woman. In all black with severe, straight hair and bangs, I’m driven to genuflect at her feat, and make offerings in her name.
The signature collection was created using yellow and white gold and incorporating stones such as opals, colored sapphires, mandarin garnets, spinels, diamonds and petrified wood. The pieces of object sit beautifully on a table, and when ready, you can simply pluck a flower ring, necklace and cuffs that match. Castellane says that it’s “jewelry at rest”, waiting to be worn.
Victoire states that she refuses to pick favorites - what good mother would do that to her children? Knowing all the while, one day they will leave home and make others very happy.
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Since I was out of town when the exhibition opened, it wasn't until today that I was fortunate enough to experience Set in Style - The Jewelry of Van Cleef & Arples at the Copper-Hewitt. I was not disappointed. What a glorious exhibition! My suggestion - get there as fast as you can and soak it up! Certainly, this will not be my last visit.
From the website...
Van Cleef & Arpels has been an important force in high jewelry for more than one hundred years. The preeminence of design in the firm’s philosophy provides a unique opportunity to study the evolution of twentieth-century jewelry in the context of the decorative arts and other design disciplines.
Set in Style: The Jewelry of Van Cleef & Arpels examines VC&A’s innovative use of materials, production methods, and interpretations of trends over a century of creativity.
Van Cleef & Arpels was founded in Paris in 1896 by brothers-in-law Alfred van Cleef and Salomon Arpels with the latter’s wife, Estelle van Cleef Arpels. Both families had long been in the diamond and colored-stone markets in the Netherlands and Belgium. Almost immediately after the new company moved into the place Vendôme in 1906, an international clientele flocked through its doors, drawn by VC&A’s creative design, avant-garde forms, and high-quality stones and settings. The recipe for making an exquisite piece of jewelry is akin to haute cuisine: masters employ special techniques to mix and adorn top-quality ingredients, creating something that is far greater than the sum of its parts. This approach permeates the essence of Van Cleef & Arpels’ jewelry.
Set in Style: The Jewelry of Van Cleef & Arpels, the most comprehensive exhibition ever organized of Van Cleef & Arpels’ masterworks, is divided into six themes which resonate through the history of the firm: Innovation, both stylistic and technical; Transformations; Nature as Inspiration; Exoticism; Fashion; and Personalities. This unprecedented assembly of 350 pieces from VC&A’s collection and international private collections, augmented by never-before-seen drawings from VC&A’s design archives and by related objects from Cooper-Hewitt, National Design Museum’s permanent collection, illustrates the firm’s celebrated history and places its contributions to design in a broader context.
I purchased the book from the exhibition after the nearly mind-blowing experience, and although I had to have it, I was bummed. Much of the photography did little to convey the true majesty of the work, and often times it was the wrong scale. Oh well...
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If loving you is wrong, I don't wanna be right!
The gown may have been a disaster, but she was spot on with her choice of jewelry. Nichole Kidman literally ROCKED the red carpet. On loan from Fred Leighton, Kidman wore the spectacular 150 carat, opera length, 19th century, silver topped gold necklace like a choker - allowing the the additional diamonds to cascade down her back. Stunning!
I've spent almost a week trying to decide what actress had it all - hit the nail on the head. I just couldn't get over my initial reaction (I actually gasped) when I saw her presenting this yummy, diamond beauty. It's why Nichole Kidman wins for this years Oscar's "Best in Jewelry".
Shine On You Crazy Diamond


